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This meant that as the situation worsened, in August and September of 2018, it was business as usual. Eventually he stopped, because he worried the freelance staff would never be paid. LADbible, part of the wider social network LADbible Group, is a social media and entertainment social publisher based in London and Manchester, United Kingdom. Through content and leveraging community LadBible has been able to drive social movements, charge pop culture and become a defining voice for the youth generation.

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Just four months after Sara’s Las Vegas trip, Unilad would collapse into administration, before being bought by arch-rival LadBible at a knockdown price. Betches Media is the leading humor platform for women on the internet, offering audiences a range of cutting-edge and culturally relevant content across web, social, podcasts and events. The multi-media entertainment and lifestyle brand was founded in 2011 and is one of the earliest digitally native media and entertainment companies founded and led by women.

• It’s informed (the mate you want on a pub quiz for a sports round), passionate and funny.
• The publisher has recently delved into topics including the cost of living crisis and university tuition fees.
• Sam Walker, 28, is a freelance video director who worked for Unilad on projects involving clients like Red Bull and Aldi.
• This is part of its mission to build a ‘Positively Social’ platform that can harness an audience to effect change.

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As with other publishers, being on top of significant news moments relevant to its audience has helped Ladbible Group grow its Tiktok presence. “We’ve definitely found that having someone work on the accounts full-time increases the following at a faster pace. It is possible, however, to build communities on Tiktok by marshalling resources from other platforms and departments,” says Tyrrell. During this period, as administrators sought a buyer for Unilad – before longtime rivals LADbible eventually swooped in – the rumour mill went into overdrive. Quinlan sent an email to staff, asking them to share statements online in support of Unilad. “John Quinlan was saying that the administrators were corrupt and he was trying to get everyone to share this email he’d written on LinkedIn,” says Sara. Back in June of 2018, few people had any idea of Unilad’s looming catastrophe.

• Mental health was the audience’s biggest concern, followed by the environment, and politics.
• Two years later, in 2014, LADbible’s Facebook page had attracted almost two million likes and had more than five million unique visitors each month.
• The LadBible’s director Arian Kalantari, also 24, joined him in 2012.

Here at LADbible HQ, we’ve all been having (possibly too much) fun since Adobe launched Photoshop’s new mobile app.

LADbible is pretty unique in its creativity and its ability to appeal continually to its target audience, which isn’t just lads. Research has suggested 20% of women also read and enjoy the site. The theory is that once you get a foothold in the market, you can start to expand and make yourself acceptable to a wider demographic. Later in 2016, LADbible launched a new campaign, Climate Change, aimed at promoting the need to protect the environment and our planet.

It has also made the bold claim to reach half of UK millennials. While Ladbible’s content naturally appeals to Tiktok’s Gen Z audience, there are some key things that Tyrrell says have helped the publisher find success on the platform. “As the platforms continue to make more money obviously it means we can bring in more talent to work on those platforms. But we’ve got so many people who are experts on all of them already that we’re in quite a good position.” Walker managed to claw back about £5,500 of what he was owed by Unilad, after taking a hard drive containing client material hostage, but he’s still owed around £3,500 in unpaid invoices. Headspace offers flexible workspaces for the creative, media and technology sectors, taking care of the hassle of running an office so that clients can concentrate on what matters most – running their business.

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Although many of the former staffers I spoke to had gripes about Unilad management and pay, these were also the glory days. After seeking legal advice, Harry took the LADbible job, but he still had to work his notice period. “I wasn’t allowed in the office, but they made me write really long articles that weren’t read or published,” he says. “They’d literally disappear into a black hole.” Unilad switched all the bylines on Harry’s stories to the pseudonym “Christopher Blunt”, effectively erasing his entire body of work. It was June of 2018, and former colleague Simon Swales had set up an anonymous blog, Unilad Exposed, threatening to release damaging material about the company’s senior staff members. Bold stories and news about people and what connects them the world over.

Founded in 2012, LADbible Group has redefined entertainment and news for a social generation. With a global presence, and offices in the UK, Ireland and Australia, LADbible Group has grown to become one of the biggest social publishers in the world with a global audience approaching a billion. LADbible Group operates across all major social publishers including Facebook, TikTok, Snapchat, Instagram and YouTube and reaches 69 million monthly users across its five websites including LADbible, UNILAD, Tyla, SPORTbible and GAMINGbible. It has been widely recognised across the industry for its impactful and perception-changing campaigns. LADbible Group Limited, part of LBG Media plc,2 is a British digital publisher. Its headquarters is in Manchester and it has offices in London, Dublin, Sydney, Melbourne and Auckland.

The group’s video views, which along with growth and engagement is a key metric for publishers on the platform, are up from 2.5 billion in 2021 to 7.4 billion last year. “LADbible was better at diversifying away from Facebook than Unilad,” explains independent media analyst Alex DeGroote. Besides expanding their reach on other social platforms, LADbible also launched a creative agency, Joyride, in 2016, and a lucrative, long-term branded partnership with Smirnoff in 2018. Facebook’s changes to the newsfeed algorithm – which would have significantly decreased the number of people seeing their content – certainly didn’t help. After the administrator was appointed, LADbible bought up £5 million of Unilad’s £10 million debt, making them their rivals’ largest creditor. The full figure paid by LADbible for the takeover was not disclosed, but they clearly felt they got what they paid for, saying at the time that the deal “makes us the largest social video publisher ever”.

Ladbible currently posts between three and ten videos each day to the main Ladbible Tiktok account. Sportbible’s following surged from less than one million at the learn options trading start of 2022 when a dedicated Tiktok creative was brought in, to close to five million currently. Ladbible meanwhile has seen its following increase by over ten times since the company introduced someone to run the account in 2020. At this point, according to Newswhip, in August of 2018 Unilad was still Facebook’s fourth biggest publisher, bigger even than MailOnline or the New York Times. The site where “Sexual Mathematics” appeared was founded in 2010 by Alex Partridge, a former private school pupil and student at Oxford Brookes University.

If you use Facebook, the chances are that you have seen the material – videos of Rambo-themed stag parties, mobile discos paraded through supermarket aisles, or a man changing a nappy wearing a gas mask.

A video Unilad uploaded of a man playing Pie Face with his son had 183 million views (four years on, it’s up to 205 million views). Yet Turner said that 20 per cent of women aged between 18 and why trade forex 24 are following The LadBible. Among the site’s 13- to 17-year-old readership, one-third is female.

Content in the series challenged what people would expect LadBible to do i.e. premium visual storytelling delivered in a serious way. Lad Bible has a combined audience of over 33 million followers across Facebook, Twitter, Instagram and Youtube – and according to Alexa (March 2017), it’s the 10th highest ranking website in the UK. Lad Bible challenged preconceptions around men’s mental health with UOKM8? The Drum’s deputy editor Cameron Clarke paneled an Advertising Week Europe session on social good campaigns where LadBible delved into a deeper discussion around their role developing meaningful campaigns.

Sam Walker got wind of the news and turned up at the London offices – he was owed around £9,000 in unpaid invoices. The head of video met Walker and apologised, but there wasn’t anything he could do. Much of the site’s appeal is its appetite for relatable content – for example, videos of ordinary people doing something funny, crazy, foolish, inspiring or brave, that you can see yourself doing too. It’s an ideal kind of content to lend itself to social media, with an ability to attract clicks making it highly sought-after by advertisers. So far Solomou and his team have been cautious in their approach to monetising their audience, preferring to build scale. The company now has 20 commercial staff based in Shoreditch, London’s technology hub, and only recently has it begun to incorporate branded content on to its site.

Ben Harris has had a tough time since leaving the show

We bring you US news and entertainment by shining a light on people and their stories. Other companies have tried the LADbible approach, such as fellow viral publisher UniLAD, which was ranked fourth on Facebook, behind LADbible. However, UniLAD’s collapse into administration was revealed in the media in October 2018. The company makes money through branding and partnerships, while it was reported that it made more than £1 million per annum from advertising. Many organisations and companies advertise on its site, covering the whole spectrum – from Sony PlayStation to Oxfam. The brand’s sister sites, SPORTbible and FOODbible, are run with the same ethos – posting the best videos and pictures of sports and food respectively.

In 2016, LADbible’s parent company, LADbible Group, launched an in-house creative agency, Joyride, to offer advertising on their online platforms. With Climate Change, LadBible partnered up with National Geographic for an editorial campaign anchored around our Facebook Live broadcast of “Before the Flood”, produced by Leonardo DiCaprio, aired simultaneously with National Geographic in the UK. The massive success of the stream challenged the idea that the audience was not socially engaged, that they wouldn’t watch long-form on Facebook, and that LadBible reach couldn’t surpass traditional linear channels. The reaction from the audience was genuine, with 823k engagements and over 36 million people reached across the campaign. A massive survey was undertaken to really understand how the audience was facing the topic.